In a 2010 interview with Amar Kanwar, the artist affirmed her belief in the power of participatory art, saying, "The possibility of a shift in perception via an art process is something that has always made me believe that art can indeed create residue in the memory that it can question and even slightly challenge preconceived notions. Her sound installations require her viewers to actively listen, allowing the artist to engage more directly with her audience about charged topics such as colonialism, borders, diversity, inclusion, and power of speech. First utilized in her 2008 work In Our Times, Gupta has repeatedly returned to this mechanism over her career. One of her signatures is a reverse-wired microphone that operates as a speaker. The artist's background in computer science, design, and new technology shaped her interest in expanding the parameters of what art can be. As the artist put it herself, "Often, as it is happening right now, the voices of the truth cause discomfort and are cut off, yet the echo remains and continues to be heard.”įor over two decades, Mumbai-based artist Shilpa Gupta has explored how best to incorporate elements of sound into her work. With this work, Gupta gives the microphone back to those who were rendered voiceless. The poems are dated from the eighth century to contemporary times and are read in languages including English, Spanish, Arabic, Russian, Azeri, and Hindi, allowing visitors to experience over a thousand years of global poetry in an hour. They play an audio loop of snippets of poems whose authors have been subjected to imprisonment, detainment, and execution. Shilpa Gupta’s multi-channel immersive sound installation For, In Your Tongue, I Cannot Fit is the outcome of a years-long research project into persecuted poets across time and geographies.The physical installation spans over 3,000 square feet and includes 100 microphones suspended from the ceiling.
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